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dc.contributor.authorHoadley, Richarden_GB
dc.date.accessioned2013-07-01T13:28:02Z
dc.date.available2013-07-01T13:28:02Z
dc.date.issued2010-09
dc.identifier.isbn9781780171302
dc.identifier.urihttp://hdl.handle.net/2384/295003
dc.description.abstractThis paper presents observations on the creation of digital music controllers and the music that they generate from the perspectives of the designer and the artist. In the case of musical instruments, what is the role of the form (the hardware) where it concerns the function (the production of musically interesting sounds)? Specific projects are presented, and a set of operational principles is supported from those examples. The associated encounter session will allow delegates to experiment with the interfaces exhibited, further informing these principles.en_GB
dc.publisherBritish Computer Societyen_GB
dc.relation.urlhttp://dl.acm.org/citation.cfm?id=2146380&dl=ACM&coll=DL&CFID=339073177&CFTOKEN=91992505en_GB
dc.subjectcomputeren_GB
dc.subjectembodimenten_GB
dc.subjectcompositionen_GB
dc.subjectinterface designen_GB
dc.titleForm and function: examples of music interface designen_GB
dc.typeMeetings and Proceedingsen
dc.contributor.departmentAnglia Ruskin Universityen_GB
dc.identifier.journalHoadley, R., 2010. Form and function: examples of music interface design. In: British Computer Society, Proceedings of the 24th BCS Interaction Specialist Group Conference. Dundee, UK 6-10 September 2010. Swindon: British Computer Society, pp.479-483.en_GB
refterms.dateFOA2018-02-14T10:12:51Z


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